Philosophical Reflection on Beauty in the Late Middle Ages: The Case of Jean Gerson

The late Middle Ages witnessed a recapitulation of medieval reflection on beauty. Jean Gerson is an important representative of these philosophical and theological contributions, although he has been largely neglected up to this time. A first dimension of his ideas on beauty is the incorporation of...

Full description

Saved in:  
Bibliographic Details
Published in:Religions
Main Author: Torrijos Castrillejo, David ca. 20./21. Jh. (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: MDPI 2024
In: Religions
Year: 2024, Volume: 15, Issue: 4
Further subjects:B Theology
B Transcendentals
B Ontology
B Intellect
B Dionysius the Carthusian
B Metaphysics
B Aesthetics
B Henry of Ghent
B Alexander of Hales
B Species
Online Access: Volltext (kostenfrei)
Volltext (kostenfrei)
Description
Summary:The late Middle Ages witnessed a recapitulation of medieval reflection on beauty. Jean Gerson is an important representative of these philosophical and theological contributions, although he has been largely neglected up to this time. A first dimension of his ideas on beauty is the incorporation of beauty (pulchrum) into the number of transcendentals, i.e., the concepts “convertible” with the notion of being (ens), that is, unity, truth, and goodness (unum, verum and bonum). This article revisits Monica Calma’s study on Gerson’s theory of beauty and suggests new hypothetical sources that may have inspired this aspect of his thought. The second aspect emphasised here is Gerson’s classification of beauty, which entails some similarities to the one of Ulrich of Strasbourg, but also differs from it. Moreover, its incorporation of a division entirely devoted to artistic beauty is highly remarkable.
ISSN:2077-1444
Contains:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel15040434