The Handmaid’s Tale as a Palimpsest: Biblical (Re)Imaginings in Margaret Atwood’s Novel

The Handmaid’s Tale inhabits an imaginary space defined by biblical narratives at a time set in the near future when low fertility has reached a critical point. The solution provided by the Bible-based totalitarian regime in place in Gilead is to offer "handmaids" as surrogate mothers to m...

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Nebentitel:Fiction, Religion and Politics in The Handmaid’s Tale
1. VerfasserIn: Jeffers, Ann (Verfasst von)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Veröffentlicht: 2024
In: Journal for religion, film and media
Jahr: 2024, Band: 10, Heft: 1, Seiten: 47-63
normierte Schlagwort(-folgen):B Atwood, Margaret 1939-, The handmaid's tale / Bibel. Richter 19-21 / Bibel. Genesis 30 / Bibel / Unterdrückung (Motiv) / Frau / Feminismus
RelBib Classification:CD Christentum und Kultur
CG Christentum und Politik
CH Christentum und Gesellschaft
FD Kontextuelle Theologie
HA Bibel
HB Altes Testament
NBE Anthropologie
NCF Sexualethik
TK Neueste Zeit
weitere Schlagwörter:B Biblical Reception
B Book of Judges
B Feminist Reading
B Palimpsest
B Gender
B The Handmaid's Tale
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Zusammenfassung:The Handmaid’s Tale inhabits an imaginary space defined by biblical narratives at a time set in the near future when low fertility has reached a critical point. The solution provided by the Bible-based totalitarian regime in place in Gilead is to offer "handmaids" as surrogate mothers to members of the ruling elite. The biblical basis for this is chillingly re-enacted through the set reading of Genesis 30:1-3 preceding and legitimising the ritual rape of the household dedicated handmaiden. While this text clearly provides the rationale for addressing issues of fertility in Gilead, I will focus more specifically on how the book of Judges (specifically Judges 19-21) is marshalled to provide an implicit framework for The Handmaid ’s Tale. The paper will analyse the complex ways in which the Bible is used and abused in both the novel and the fourth series, using literary and feminist lenses. It will be argued that both narratives, the Book of Judges and Atwood’s tale contain elements of subversion and deconstruction.
ISSN:2617-3697
Enthält:Enthalten in: Journal for religion, film and media
Persistent identifiers:DOI: 10.25364/05.10:2024.1.3