The Handmaid’s Tale as a Palimpsest: Biblical (Re)Imaginings in Margaret Atwood’s Novel

The Handmaid’s Tale inhabits an imaginary space defined by biblical narratives at a time set in the near future when low fertility has reached a critical point. The solution provided by the Bible-based totalitarian regime in place in Gilead is to offer "handmaids" as surrogate mothers to m...

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Détails bibliographiques
Autres titres:Fiction, Religion and Politics in The Handmaid’s Tale
Auteur principal: Jeffers, Ann (Auteur)
Type de support: Électronique Article
Langue:Anglais
Vérifier la disponibilité: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publié: 2024
Dans: Journal for religion, film and media
Année: 2024, Volume: 10, Numéro: 1, Pages: 47-63
Sujets / Chaînes de mots-clés standardisés:B Atwood, Margaret 1939-, The handmaid's tale / Bibel. Juge 19-21 / Bibel. Genesis 30 / Bibel / Oppression (Motif) / Femme / Féminisme
RelBib Classification:CD Christianisme et culture
CG Christianisme et politique
CH Christianisme et société
FD Théologie contextuelle
HA Bible
HB Ancien Testament
NBE Anthropologie
NCF Éthique sexuelle
TK Époque contemporaine
Sujets non-standardisés:B Palimpseste
B Biblical Reception
B Book of Judges
B Feminist Reading
B Gender
B The Handmaid's Tale
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Description
Résumé:The Handmaid’s Tale inhabits an imaginary space defined by biblical narratives at a time set in the near future when low fertility has reached a critical point. The solution provided by the Bible-based totalitarian regime in place in Gilead is to offer "handmaids" as surrogate mothers to members of the ruling elite. The biblical basis for this is chillingly re-enacted through the set reading of Genesis 30:1-3 preceding and legitimising the ritual rape of the household dedicated handmaiden. While this text clearly provides the rationale for addressing issues of fertility in Gilead, I will focus more specifically on how the book of Judges (specifically Judges 19-21) is marshalled to provide an implicit framework for The Handmaid ’s Tale. The paper will analyse the complex ways in which the Bible is used and abused in both the novel and the fourth series, using literary and feminist lenses. It will be argued that both narratives, the Book of Judges and Atwood’s tale contain elements of subversion and deconstruction.
ISSN:2617-3697
Contient:Enthalten in: Journal for religion, film and media
Persistent identifiers:DOI: 10.25364/05.10:2024.1.3