’Srī Gurugītā: A Sanskrit Devotional Text and Musical Yogic Practice

This article investigates the Sanskrit hymn, ´Srī Gurugītā, from a scholarly, scriptural, historical, and ethnographic standpoint. Mystical yogic concepts such as chaitanya-shabda (Consciousness–sound) and shravana samadhi (absorption through reading or listening to holy texts) are introduced in the...

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Bibliographic Details
Main Author: Heimarck, Brita Renée 1962- (Author)
Format: Electronic Article
Language:English
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Published: MDPI 2024
In: Religions
Year: 2024, Volume: 15, Issue: 8
Further subjects:B Siddha Yoga
B musical yoga
B svadhyaya (chanting and reciting of sacred texts)
B Gurugītā text and recitation
B female gurus
B yogic path of Self-realization
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Summary:This article investigates the Sanskrit hymn, ´Srī Gurugītā, from a scholarly, scriptural, historical, and ethnographic standpoint. Mystical yogic concepts such as chaitanya-shabda (Consciousness–sound) and shravana samadhi (absorption through reading or listening to holy texts) are introduced in the context of Gurugītā recitation. The history of diverse lineages that practice Gurugītā recitation and several historical dimensions of svadhyaya (long-text chanting) and namasankirtana (short chants) are briefly introduced, and the works of Jeremy Morse and Antonio Rigopoulos are closely considered. This article deals with the significant elements of yogic awakening referenced within the Gurugītā text and the goal of liberation cited therein. Many scholars have researched Hinduism, Tantra, Bhakti yoga, and devotion. This article investigates musical devotion in the context of yogic communities dedicated to Gurugītā recitation with the aim of experiencing the inner Self. The democratization and dissemination of this practice have global dimensions.
ISSN:2077-1444
Contains:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel15080894