What Was a Monk in Joseon Korea?: Competing Monastic Identities According to the State, a Monastic Biographer, and a Confucian Literatus
The question, what was a monastic? is a complex issue, whether in the context of China, Korea or even in the homeland of Buddhism, India. Nonetheless, this is especially so in the case of Joseon Korea due to the dramatic historical changes that took place with the Imjin War. This obviously brought a...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2025
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| In: |
Religions
Year: 2025, Volume: 16, Issue: 3 |
| Further subjects: | B
Imjin War
B memorial steles B eminent monks B monastic identity B monastic biographies B saṃgha B Joseon period |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | The question, what was a monastic? is a complex issue, whether in the context of China, Korea or even in the homeland of Buddhism, India. Nonetheless, this is especially so in the case of Joseon Korea due to the dramatic historical changes that took place with the Imjin War. This obviously brought about shifts not only in the social status but also in the societal role of the monastics. The most substantive factors in the late-Joseon period (1600–1910) was the loss of state patronage and no longer being under the auspices of the state. Simply put, the discussed materials in this paper evince diverse images and roles of monks that range from being state officials, laborers, soldier-monks, and Seon meditators, to thieving bandits. A single descriptor would be unable to capture the diverse identities of the late-Joseon monks. Moreover, the monastics also presented themselves as highly organized with organizational aims, no different from an organization existing inescapably in everyday socio-economic and political conditions. The shared goal of the Buddhist community, by way of presenting certain images, was to regain social recognition and legitimation, to a position of power and privilege perhaps similar to what it once had during the Goryeo period (918–1392). |
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| ISSN: | 2077-1444 |
| Contains: | Enthalten in: Religions
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| Persistent identifiers: | DOI: 10.3390/rel16030343 |
