"The Return of my Grandfather Napoleon": Ancestor worship, impiety, and collective possession in North Honduras
This paper analyzes Dolores's case of collective spirit possession as a paroxysmic form of possession idiom, serving as a powerful and creative internal mechanism that both safeguards and revitalizes the core structure of ancestor worship. Drawing on my ethnographic research in North Honduras s...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2025
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| In: |
Anthropology of consciousness
Year: 2025, Volume: 36, Issue: 1, Pages: 1-19 |
| Further subjects: | B
Spirit Possession
B possession idioms B Religion B North Honduras B Ancestors |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | This paper analyzes Dolores's case of collective spirit possession as a paroxysmic form of possession idiom, serving as a powerful and creative internal mechanism that both safeguards and revitalizes the core structure of ancestor worship. Drawing on my ethnographic research in North Honduras since 2009, my study reveals that rather than leading to the erosion of possession rituals, entropic forces, such as resistance, modernity, and impiety serve as vital resources, reinforcing the foundations of ancestor worship. This paper explores possession idioms and striking events, such as contagion, abduction, dramatization, illness, and death to highlight the resilience of a possession-based religion as a self-sustaining total social system rooted in "tradition," yet shaped by a dynamic interplay of historical, cultural, and personal experiences. While traditional interpretations of spirit possession have viewed possession cults as forms of protest against hegemonic power—"a weapon of the weak" used to gain respect and process trauma—I suggest that spirit possession is multifaceted, ambiguous and underdetermined, operating within a social theater where critique, social irony, impiety, historical consciousness, and the carnivalesque intersect. |
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| ISSN: | 1556-3537 |
| Contains: | Enthalten in: Anthropology of consciousness
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| Persistent identifiers: | DOI: 10.1111/anoc.12245 |
