Afterlife of a poem from Dunhuang

A Dunhuang manuscript from the tenth century preserves a poem, which appears amidst a multitude of random notes on the verso of a scroll. Most of the texts in the scroll were written in unskilled handwriting by students studying at a local Buddhist monastery. The poem is unattested anywhere else in...

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Bibliographic Details
Subtitles:New Perspectives on the Localization and Globalization of Buddhism in Medieval China and Beyond
Main Author: Galambos, Imre 1967- (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: 2024
In: Studies in Chinese Religions
Year: 2024, Volume: 10, Issue: 3/4, Pages: 325-337
Further subjects:B Dunhuang manuscripts
B Students
B Northwest China
B Poems
B Chinese Muslims
Online Access: Volltext (lizenzpflichtig)
Description
Summary:A Dunhuang manuscript from the tenth century preserves a poem, which appears amidst a multitude of random notes on the verso of a scroll. Most of the texts in the scroll were written in unskilled handwriting by students studying at a local Buddhist monastery. The poem is unattested anywhere else in the pre-modern period but reappears in sporadic references from the end of the nineteenth century onward in sources by Chinese-speaking Muslims in China’s northwestern region. The poem, therefore, seems to have survived primarily in oral form for nearly a millennium without a trace in the written record. Although its socio-religious context changed dramatically, the text itself remained relatively stable over the centuries, evidencing that oral transmission could be remarkably conservative. This paper traces the quatrain through time and demonstrates its extraordinary continuity despite being primarily transmitted in non-written form.
ISSN:2372-9996
Contains:Enthalten in: Studies in Chinese Religions
Persistent identifiers:DOI: 10.1080/23729988.2025.2466973