Artistic disobedience: music and confession in Switzerland, 1648-1762

In this book Bacciagaluppi shows how music practice was an occasion for cross-confessional contacts in 17th- and 18th-century Switzerland, implying religious toleration. The difference between public and private performing contexts, each with a distinct repertoire, appears to be of paramount importa...

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Bibliographic Details
Main Author: Bacciagaluppi, Claudio 1971- (Author)
Format: Print Book
Language:English
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Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Leiden Boston Brill [2017]
In:Year: 2017
Series/Journal:St Andrews studies in Reformation history
Standardized Subjects / Keyword chains:B Music / Confession / Switzerland / History 1648-1762
RelBib Classification:RC Liturgy
RD Hymnology
Further subjects:B Church Music
B Church Music 17th century (Switzerland)
B Musique chrétienne
B Reformation (Switzerland)
B Church Music 18th century (Switzerland)
B Church Music (Switzerland) 18th century
B Church Music (Switzerland) 17th century
B Church Music Catholic church
B Reformation
B Church Music Protestant churches
Description
Summary:In this book Bacciagaluppi shows how music practice was an occasion for cross-confessional contacts in 17th- and 18th-century Switzerland, implying religious toleration. The difference between public and private performing contexts, each with a distinct repertoire, appears to be of paramount importance. Confessional barriers were overcome in an individual, private perspective. Converted musicians provide striking examples. Also, book trade was often cross-confessional. Music by Catholic (but also Lutheran) composers was diffused in Reformed territories mainly in the private music societies of Swiss German towns (collegia musica). The political and pietist influences in the Zurich and Winterthur music societies encouraged forms of communication that are among the acknowledged common roots of European Enlightenment
Item Description:Literaturverzeichnis Seite [242]-253
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ISBN:9004330747