Naqāʾiḍ Poetry in the Post-Umayyad Era
Naqāʾiḍ (biting refutations) are a type of lampoon in which two poets exchange satirical poems that make use of the same prosodic meter and rhyme. Although satire had already been a staple of Arabic poetry in the pre-Islamic era, naqāʾiḍ were further developed and enhanced as an art form in the Umay...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
2017
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| Dans: |
Journal of Abbasid Studies
Année: 2017, Volume: 4, Numéro: 1, Pages: 97-121 |
| Sujets non-standardisés: | B
Abbasid naqāʾiḍ
Ibn Mayyāda
Ḥakam al-Khuḍrī
ʿUmāra b. ʿAqīl
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| Accès en ligne: |
Volltext (Verlag) |
| Résumé: | Naqāʾiḍ (biting refutations) are a type of lampoon in which two poets exchange satirical poems that make use of the same prosodic meter and rhyme. Although satire had already been a staple of Arabic poetry in the pre-Islamic era, naqāʾiḍ were further developed and enhanced as an art form in the Umayyad period thanks to three poets: Jarīr, al-Farazdaq and al-Akhṭal. |
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| ISSN: | 2214-2371 |
| Contient: | In: Journal of Abbasid Studies
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| Persistent identifiers: | DOI: 10.1163/22142371-12340028 |