"Na origem, o som precede o canto": Impressões sobre canto e música em Agostinho de Hipona
This article proposes to analyze three distinct moments of Augustinian reading about the sound phenomenon, thus contributing to a better appropriation of what the author's philosophy dealt with on the subject. This is a theme that is still relatively little known in the area of Augustine of Hip...
| Subtitles: | "Dossiê Religião e Música, Parte II" |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | Portuguese |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
UFJF
2023
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| In: |
Numen
Year: 2023, Volume: 26, Issue: 1, Pages: 11-27 |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a This article proposes to analyze three distinct moments of Augustinian reading about the sound phenomenon, thus contributing to a better appropriation of what the author's philosophy dealt with on the subject. This is a theme that is still relatively little known in the area of Augustine of Hippo, although it represented a fundamental apex of the formative proposal organized by the author since his conversion movement to Christianity. First, we take the music from a logical and discursive interpretation. Then, for its catechetical and formative potential. Lastly, what perhaps constitutes the main emphasis of his contribution, namely: the mystical elevation of the human being, beyond the limits of language and the spoken word, as an instrument of the unfathomable, of the divine. | ||
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