Modernidade, crítica e retorno da religião: uma abordagem de Parasita e O Poço = Modernity, criticism and return of religion: an approach of Parasite and The Platform
Our article exposes the relation between modernity and religion through the movies Parasite (2019) and The platform (2019). Its main objective is to demonstrate how these movies retreat this relation. We hypothesize that the relation is constituted by the modern critics of religion and its return. T...
Autres titres: | Modernity, criticism and return of religion: an approach of Parasite and The Platform |
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Auteur principal: | |
Type de support: | Électronique Article |
Langue: | Portugais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
[2020]
|
Dans: |
Rever
Année: 2020, Volume: 20, Numéro: 3, Pages: 59-74 |
Sujets / Chaînes de mots-clés standardisés: | B
Parasite (Film)
/ O poço (Film)
/ Modernité
/ Religion
/ Critique de la religion
|
RelBib Classification: | AA Sciences des religions AD Sociologie des religions AG Vie religieuse |
Sujets non-standardisés: | B
The Platform
B Modernity B Religião B Parasite B Religion B Parasita B Modernidade B O Poço |
Accès en ligne: |
Volltext (doi) Volltext (kostenfrei) |
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520 | |a Our article exposes the relation between modernity and religion through the movies Parasite (2019) and The platform (2019). Its main objective is to demonstrate how these movies retreat this relation. We hypothesize that the relation is constituted by the modern critics of religion and its return. The article is structured in the following order: 1) an analysis of the religion, in a modern perspective, in images, ideas, and structure in each movie; 2) an approximation of their narratives to the modern critics of religion and its return. We intend that this article contributes to the study of religion and cinema (and pop culture in general) and the research field of the relation between religion and contemporaneity. | ||
520 | |a Nosso artigo trata da relação entre modernidade e religião através dos filmes Parasita (2019) e O poço (2019). Seu objetivo é demonstrar como esses filmes retratam essa relação. Temos como hipótese que isso se dá por meio da crítica da religião desenvolvida pela modernidade e de seu retorno. Dessa forma, o artigo segue na seguinte ordem: 1) análise da religião, na perspectiva moderna, em configuração imagética, ideológica e estrutural em cada um dos filmes; 2) aproximação dos enredos com as críticas modernas à religião e com seu retorno. Pretendemos que este artigo contribua tanto para os estudos de religião e cinema (e cultura pop em geral) quanto para o campo de pesquisa da relação entre religião e contemporaneidade. | ||
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STA | 0 | 0 | |a Critique of religion,Religious criticism,Religion,Religion,Religions,Religion,Religion in literature,The Modern,The Modern,Modern age,Modernity |
STB | 0 | 0 | |a Critique de la religion,Modernité,Modernité,Époque moderne,Époque moderne,Époque moderne (motif),Époque moderne,Religion,Religions,Religion |
STC | 0 | 0 | |a Crítica de la religión,Modernidad,Modernidad,Religión,Religión,Religión |
STD | 0 | 0 | |a Critica alla religione,Critica della religione,Critica della religione,Modernità <motivo>,Modernità,Moderno,Moderno,Moderno (motivo),Moderno,Religione,Religione,Religione |
STE | 0 | 0 | |a 宗教,宗教,宗教批判,现代性 |
STF | 0 | 0 | |a 宗教,宗教,宗教批判,現代性 |
STG | 0 | 0 | |a Crítica da religião,Modernidade,Modernidade,Religião,Religião |
STH | 0 | 0 | |a Критика религии,Религия (мотив),Религия,Эпоха Модерна (мотив),Эпоха Модерна |
STI | 0 | 0 | |a Θρησκεία (μοτίβο),Θρησκεία,Θρησκευτική κριτική,Το Μοντέρνο (μοτίβο),Το Μοντέρνο |
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SYG | 0 | 0 | |a The well , Avantgarde , Religion,Mystik,Mythologie , Religion |